Live at Aeolian Hall

Sweet Stolen HoursJump to Info for Sweet Stolen Hours

David BraidJump to Info for David Braid

Patricia O’CallaghanJump to Info for Patricia O’Callaghan

Saturday July 13, 2019
8:00 pm   |  Doors Open @ 7:00 pm
$25 Advanced    $30 Doors   
Headliner

Sweet Stolen Hours

Sweet Stolen Hours: An Evening with David Braid and Patricia O’Callaghan

Blending the two worlds of Classical and Jazz, and fresh from their recent JUNO nomination, Braid and O’Callaghan will offer a mixture of pieces ranging from Weill to Cohen, with a core of original repertoire at the heart.

Featuring the crystalline, many-hued voice of O’Callaghan, singing in English, Spanish and French, and the dazzlingly beautiful compositions and improvisations of Braid, this promises to be a moving, eclectic, and powerful evening.

“A jazz genius to call our own.” – MacLeans Magazine

“…refreshingly uncategorizable.” – Paris Transatlantic

“One of the best singers ever to come out of Canada.” – Vivascene

“An exceptional blend of natural expressiveness and masterful coloration.” – Billboard Magazine

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Headliner

David Braid

www.davidbraid.com

“Sophisticated and authentic” – New York Observer
“Refreshingly uncategorizable” – Paris Transatlantic

Hailed in the Canadian press as “one of his country’s true renaissance men when it comes to music” (The Ottawa Citizen), composer and pianist, David Braid is a nine-time Juno nominee, and winner of three Juno Awards for his solo piano recording, “Verge”, large-ensemble recording, “The David Braid Sextet Live”, and small-ensemble recording, “The North.” His debut classical composition, “Corona Divinae Misericordiae” received a Juno Nomination for Classical Album of the Year.

David Braid concertizes his original music and improvisations in the UK, Scandinavia, Europe, Russia, Central Asia, China, Australia, and Canada.

Described as “brilliant” (Montreal Gazette), “enchanting” (The Age, Australia), “une force poétique” (Le Soleil) and “hauntingly beautiful” (The Globe & Mail), Braid’s music combines the discipline of European classical music with the spontaneity of jazz.

David Braid is a Steinway Artist, Composer-in-Residence for Sinfonia UK Collective, Artist-in-Residence at the University of Toronto, Adjunct Professor at the Danish National Conservatory of Music, and faculty member at the International Chamber Music Festival Casalmaggiore, Italy He is a recipient of the Ontario Foundation for the Arts’ prestigious prize: “Paul de Hueck and Norman Walford Career Achievement Award for Keyboard Artistry.”

His arrangements and compositions were an integral part of the Chet Baker-inspired film, “Born to Be Blue” and his jazz score received praise for its “contemporary patina without sacrificing period authenticity” (The Times, UK). He also won “Best Original Score” and “Best Original Song” at the 2017 Screen Awards.

“Braid’s tone, touch, chord voicings and imagination make him one of the most interesting new pianists I’ve encountered in a long time.” – Doug Ramsey, recipient of Jazz Journalists Association’s Lifetime Achievement Award (USA)

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Headliner

Patricia O’Callaghan

www.patricia-ocallaghan.com

Patricia O’Callaghan is something of a wandering minstrel. Her fifteen-year career has taken her across genres, continents, and a range of disciplines and passions.

Her recording career spans six solo CDs and many interesting guest collaborations. A speaker of French, Spanish, and German, her early recordings focused on European cabaret, and she is considered a specialist in the music of Kurt Weill. Patricia has performed his Threepenny Opera, Seven Deadly Sins, and Kleine Mahagonny with Soulpepper Theatre Company, Edmonton Opera, and Vancouver Opera, to name a few.

This Toronto soprano can sing a 100-year-old German tune so lustily that you almost don’t need a translation to know that someone’s about to get his throat cut or get laid or both. – The National Post

One of Patricia’s most unique talents is the ability blend a variety of languages and musical genres seamlessly together in her concerts, and completely embody whatever style she is singing at any given moment.

O’Callaghan sings her diverse material as if it was always meant to go side-by-side and by the end of the evening, it’s easy to believe her.  – Chart Attack Magazine

She has sung with some of the world’s great ensembles and artists (Orpheus Chamber Orchestra, Don Byron Quartet, Bryn Terfel), and has performed in venues that range from London’s Royal Opera House to New York’s Noho cabaret Le Poisson Rouge.

Patricia also writes and co-writes songs and has had the honor of premiering many new compositions, from both the classical and pop worlds.  It has been her great privilege to work with such creators as R. Murray Schafer, David Braid, Dennis Lee, Christos Hatzis, George Aperghis, Steve Reich, and Steven Page, to name a few.

Patricia’s film, theatre and television credits include her own Bravo! special, The CBC produced Ken Finkleman series  Foolish Heart, and the semi autobiographical Rhombus / Westwind film Youkali Hotel, which has won several prizes, including a Golden Sheaf Award to Patricia for best female performance. Ms. O’Callaghan has also received other awards, such as a Chalmer’s Grant from the Ontario Arts Council and a Fleck Fellowship from The Banff Centre for the Arts.

She recently completed a six year stint as a Resident Artist at Toronto’s Soulpepper Theatre Company.  Her responsibilities there included conducting, teaching, mentoring young artists, producing, curating and performing in festivals, and developing new work.

Recent projects are Broken Hearts and Madmen; a collaboration with The Gryphon Trio, which blends classical music with traditional songs from Latin America and pop songs from around the world…

Broken Hearts and Madmen is an exquisite piece of work. The result is absolutely breathtaking in its attention to detail, with every note carved from their love of the songs…  – Vivascene and Matador: The Songs of Leonard Cohen

A truly exceptional blend of natural expressiveness and masterful coloration, her tender versions of Cohen’s “Take this Waltz” and “Hallelujah” are revelatory. –  Billboard Magazine

And brand new is her first Christmas CD, Deepest December. It’s not a typical holiday album, covering Renaissance to modern, and hurdy gurdy to lap steel guitar. Its beautiful carols, haunting arrangements, and unusual juxtapositions will make you feel at once the icy frost of winter and the warmth of the hearth.

She’s one of the best singers ever to come out of Canada.  – Vivascene

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