Phoenix Sessions - Februaryaeolianhall.regfox.com/the-aeolian-phoenix-sessions-february
The Aeolian Phoenix Sessions take centre stage… in the comfort of your own home. Each month we premier at least four artists’ recordings from the Aeolian stage. Membership to the Phoenix Sessions is $20 per month (recurring) and you select the productions you want to watch.
Aeolian’s Phoenix Sessions are proud to produce four outstanding performances in February. For just $20 you have access to all four digitally streamed productions anytime, anywhere. One new show will be released every Friday including: Lewington & Downie (of Enter the Haggis), Colin Linden… Live from Nashville, Jully Black… Live from Toronto, and Marion Miller & Sharon Kahan. Subscribe once, enjoy live music all month long!
You will receive a confirmation email including a link that you will use each time you wish to view a February performance. Save that link… or follow instructions at www.aeolianhall.ca/phoenix.
For more information, please scroll down to the ticketing information below. Read the
This performance is part of the Aeolian’s Phoenix Sessions. To view, purchase the FEBRUARY pass or become a recurring monthly member.
Some day, when trees have shed their leaves
And against the morning’s white
The shivering birds beneath the eaves
Have sheltered for the night,
We’ll turn our faces southward, love,
Toward the summer isle
Where bamboos spire the shafted grove
And wide-mouthed orchids smile.
And we will seek the quiet hill
Where towers the cotton tree,
And leaps the laughing crystal rill,
And works the droning bee.
And we will build a cottage there
Beside an open glade,
With black-ribbed blue-bells blowing near,
And ferns that never fade.
After the Winter, Claude McKay
Sharon Kahan is a native of Regina, Saskatchewan, where she became a faculty member at the Regina Conservatory of Music and principal flutist of the Conservatory Chamber Orchestra. Subsequently, she attended the University of Western Ontario where she earned a Master of Music in Literature and Performance. Concurrently, she studied with a number of distinguished artists, such as Jeanne Baxtresser, formerly of the New York Philharmonic, and Timothy Hutchins of the Montreal Symphony Orchestra.
Currently, she is a Lecturer at Western University’s Don Wright Faculty of Music. Active as a teacher, clinician, and adjudicator, she is also principal flute and piccolo for the Stratford Shakespeare Festival, where she has been performing since 1994 both in the orchestra and onstage for productions such as The Hypochondriac (2016) and The Music Man (2018).
Ms. Kahan performs regularly with ensembles throughout Ontario including the Kitchener-Waterloo Symphony. She has appeared as a soloist with many orchestras, including the International Symphony Orchestra and Orchestra London, as well as the Ontario Festival Symphony Orchestra where she was both soloist and principal flute for the 2012 tour of China. In addition, she has been heard in recital and in chamber performances throughout Canada and in Western Europe.
Marion Miller is one of London’s most versatile musicians. Trained in Canada, France and the United States as a classical pianist, she has nevertheless covered the musical spectrum from playing in a swing orchestra to composing for musical theatre. At 18 she was on faculty at the Banff School of Fine Arts. She has been musical director of the Grand Theatre and pianist for the Aria International Summer Academy for Advanced Music Studies, played Chopin on CBC Radio and vaudeville tunes at the Lighthouse Festival Theatre. She taught at UWO shortly after graduating there with a Master’s degree in musical performance and the president’s gold medal for academic excellence. Today she maintains a large class of private students ranging from young and adult beginners to university-level aspiring concert performers.