Andrea Ramolo

(in support of her new record Quarantine Dream)

Singer-songwriter Andrea Ramolo is the first to admit that she creates music out of chaos and often misery. If that is a dark statement, it’s also one she laughs about because it all works out in the end. This time, once again, it has lent itself to the creation of her stunning new seventh studio album, Quarantine Dream (due Oct.).

Her past six studio albums — four solo and two with the duo Scarlett Jane — have been borne out of heartbreak, but Quarantine Dream, made almost entirely with female and non-binary creatives, is different: it’s about a breakup with our lives as we knew it when COVID-19 hit in early 2020.

“The record’s about extreme hope, extreme fear, extreme loss, extreme loneliness, and extreme imagination — wishing and hoping for a better tomorrow,” says Andrea.

From the escape of “Italian Summer” that she created to transport her into other imaginary and more hopeful circumstances, to the protest song “Free,” feat. Kinnie Starr, about sexism, sexual violence, racism, and the lie that is ‘freedom,’ to the title-track about her wish for the state of the world, Andrea also tackled more personal issues, such as being childless in “Morning Glory” and wanting to disappear in “Carousel.”

The first single, “Dust,” a piece of James Bond-ian noir seduction, is about an intense, albeit brief, intimate encounter during the pandemic with a man whose darkness and struggles shed light on her own, about fear, trust and judgement.  The video, directed by Nikki Ormerod, features Andrea dancing alongside The National Ballet of Canada’s choreographer and performer Jera Wolfe, and a live snake.

“It’s unreal. It tells of this connection through a contemporary dance piece choreographed by Shawn Bracke. My favourite creative project to date besides making this album,” Andrea says.

The other important cornerstone of Quarantine Dream is all the women she worked with from writing to recording to the visuals.  The 10-song statement was produced mixed and engineered by Sarah MacDougall (who plays on it too), mastered by Elisa Pangsaeng, and includes co-writes with Kinnie Starr and Hill Kourkoutis (“Free”) and Madison Violet’s Brenley MacEachern and Lisa MacIsaac (“End of Time”), guest vocals by Kinnie and Madison Violet, and piano by Kathryn Calder of The New Pornographers (“Morning Glory” and “Lose Me”).

The only males on the project are Chris Wong (bass, keys, electric guitar), string player and arranger Davide Rossi (Coldplay, The Verve, Alicia Keys, Ed Sheeran), and Wintersleep drummer Loel Campbell, who all make appearances on a few songs.

“Don’t get me wrong, I love men,” says Andrea, “but I made the decision you need to be the change. The music industry is a man’s world; there aren’t hundreds of women coming out of the woodwork because we haven’t been given the opportunities. I have worked with really good men, but this is an opportunity to start the shift. It has to start with us women hiring women.”

It’s not surprising Andrea feels this way. Born in Toronto to Italian immigrants, she comes from a close famiglia with strong female role models, her mom (who beat cancer twice) and Nonnas who celebrated and encourage hard work, strength, and perseverance. The triple-threat began her journey into the arts as a dancer and actor, until she ventured into music in 2008 with the release of her album, Thank You For The Ride, which she supported with close to 200 shows across Canada.

Her 2011 follow-up, The Shadows and the Cracks led to her first Canadian Folk Music Awards nomination. Andrea then partnered with her friend Cindy Doire to form Scarlett Jane and spent the next five years touring behind two folk albums for distributor Warner Music Canada, 2012’s Stranger and 2015’s eponymously-titled offering.  Stranger earned them two more CFMA nominations.

Along the way, Andrea also contributed to projects by Tom Wilson’s Lee Harvey Osmond, where she met Cowboy Junkies’ Michael Timmins, who would go on to produce her next two solo albums, starting with the stellar NUDA (Italian for ‘naked’). The album emerged out of a deep depression following a romantic breakup with Tom and shifted her artistic path to something raw, dark, cool, understated and melancholy. Taking a break from lyrical catharsis, she then dove into an album honouring songs by Leonard Cohen, appropriately titled Homage, which earned her another CFMA nomination in 2020.

Then the pandemic struck, first overseas. Italy declared a state of emergency and the world watched in horror as the death toll rapidly climbed. Heartbroken by what she saw in her family’s homeland, where she has explored her heritage and built up a music following, Andrea wrote and released her first original Italian-language song, “Una Lettera,” to raise funds for the Red Cross’ Italy Covid-19 Response Appeal.

Meanwhile, as the virus spread in Canada too and the country went into lockdown, for her creative and personal sanity Andrea became part of a bi-monthly online female and non-binary group with a who’s who of talent from the music industry, including Jill Barber, Sarah Slean, Melissa McClelland, Erin Costello, The Good Lovelies, and some of the people who would later appear on Quarantine Dream, Sarah, Hill, Kathryn, Brenley and Lisa.

“We cry together, we share secrets. It’s so intimate. We’ve been helping each other both musically and emotionally get through really hard times and become so close. I couldn’t have done this lockdown thing without them,” says Andrea. “I was getting so excited and fired up to work with women in leadership roles. Even talking about music with women was more inspiring than my experiences have been with males.

“There seems to be less ego and more heart involved,” she explains. “Communication feels nurturing and passionate and clear; reasons behind getting into a creative collaboration in general just seem more clear.  And there’s a lot of magic, a lot of fire that has come out of working so far with all of these incredible women. They are all contributing so much to this project and it’s nice to hold each other up like that.”

COVID PREPAREDNESS

OUR COMMITMENT TO YOU

Immunization and Safety Measures

The Aeolian Hall follows best practices in safety and immunization for all employees, volunteers, patrons and guests who participate in our programming or enter The Aeolian or its buildings. Our immunization policy – as well as decisions on social distancing, masking, etc. – are guided by legislation of the Province of Ontario and recommendations of the Middlesex London Health Unit. Due to the changing nature of the environment and the resultant public health policy changes, our policy is subject to change at any time without notice. Our immunization policy and safety measures can be found online at: COVID POLICY and SAFETY MEASURES

Sarah MacDougall

Sarah MacDougall is a multiple award-winning singer songwriter, composer and producer. She has released four albums, and over the last ten years she has toured extensively across North America and Europe. Sarah’s latest album “All the Hours I have Left To Tell You Anything” won two Indie Awards, as well as was nominated for two Western Canadian Music Awards and a Canadian Folk Music Award. Previous albums have earned her two Western Canadian Music Awards and several more nominations. Sarah is a songwriter and producer with publisher Arts and Crafts, and she owns and operates her own studio Dream Ship Sound. With a background in audio engineering from Banff and Berklee College of Music, and a degree in music composition from SFU, Sarah is a versatile talent. She is currently working on a her next album, as well as producing and composing for and collaborating with other artists.

An engaging performer, Sarah has been selected to play international festivals such as Iceland Airwaves, Edmonton Folk Festival, Reeperbahn, and has shared the stage with artists such as Tallest Man on Earth, Buffy St. Marie, Passenger, and many more.

COVID PREPAREDNESS

OUR COMMITMENT TO YOU

Safety Measures

Welcome back Aeolian Hall patrons! It has been tough, but we are so thrilled to be able to present live music to a live audience once again!

To keep everyone safe when attending our concerts, we are doing the following:

• We are complying the requirements and recommendations from federal, provincial, and local health authorities to enhance the safety of our facility
• In addition, we are requiring that all patrons be double vaccinated before attending a concert, except for patrons who, for medical reasons, are not vaccinated and children 12 years old or younger
• We are requiring that clean well-fitted masks (such as a single use surgical mask) be worn indoors and that the current guidelines of 2 metre (6 feet) safe-distancing be followed
• We have placed hand sanitizer stations are placed throughout the building. Please sanitize your hands upon entering the building, and wash your hands after using the restrooms
• Our upgraded HVAC system ensures the air you breath is fresh and filtered
• We thoroughly clean the Hall before concerts and sanitize before, during and after the concerts.