Phoenix Sessions - Mayaeolianhall.ca/phoenix
Welcome to the Aeolian Phoenix Sessions
The Aeolian Phoenix Sessions are intended to provide patrons with a cross-section of the music going experience. From classical to jazz, rock to country, and bluegrass to folk, the Sessions aim to bring music back into your home and heart.
Interested in one show only? Trust us: you’ll like what you see. Try the Phoenix Sessions all month and experience a few productions that you might never have seen in person.
Our goal was to reignite live music and get artists on stage, technicians behind the soundboard and our patrons on their feet listening to extraordinary talent in extraordinary times.
Terms and Conditions
Membership to the Phoenix Sessions is $20 per month (automatically recurring) and you select the productions you wish to enjoy.
Though membership renews automatically, patrons must validate their membership number every month to receive an access code for each new set of productions by email. This process is not automatic. Patrons will receive their first access code immediately upon registration. An access code is only good for one calendar month. Validation instructions are contained in the Membership tab on this page, in our weekly newsletter and in the monthly rollover announcement sent by the Aeolian Box Office.
We do not have a multi-viewer pass. If you plan to safely watch with friends or family, please consider donating to further offset the costs associated with these productions.
Tickets to individual productions are not available.
If you do not intend to subscribe for longer than one month, refunds will not be provided to patrons who forget to cancel their membership or who have not read the terms and conditions: membership renewal is automatic every 30 days. This information is noted on every ticketing page, on event pages and marketing, on event posters and in our weekly newsletter. It is important to read information carefully before joining so as to not misunderstand how membership works.
Upon registration and after monthly validation, you will receive a confirmation email including a link that you will use each time you wish to view a performance. Save that link… or follow instructions at www.aeolianhall.ca/phoenix to receive it again.
Shows will be available on the date and time specified on Aeolian’s website.
PRODUCTIONS ARE AVAILABLE FOR A MAXIMUM OF TWO WEEKS AFTER PREMIER. IF YOU ARE PURCHASING MORE THAN 30 DAYS BEFORE THE MONTH BEGINS, YOU WILL BE BILLED EVERY 30 DAYS AS A RECURRING MEMBER. IF YOU ARE SPECIFICALLY INTERESTED IN AN INDIVIDUAL MONTH, PLEASE PURCHASE YOUR PASS ON FIRST OF THE MONTH.
Payment is final. No refunds will be offered.
Born in Oklahoma, Champian is considered one of the most gifted pure Jazz musicians of her generation. She grew up with music in the home; her mother and father (Jazz trumpeter and educator Stephen Fulton), recognized her fascination with music at an early age. The presence of her father’s musician friends, including Clark Terry and Major Holley, inspired her focus on Jazz. Her first paid musical engagement was with her own band at Clark Terry’s 75th Birthday Party; she was 10 years old. Since then, her piano and voice skills have been recognized by peers and critics as distinctive and sophisticated. This young woman from Oklahoma captivates audiences in New York’s finest Jazz rooms and in concert halls around the world.
A mainstay on the vibrant New York Jazz scene, she has performed with musical royalty such as Lou Donaldson, Frank Wess, Scott Hamilton, Buster Williams, and Louis Hayes. From New York to Barcelona, Champian’s swinging style and charismatic performances have made her a guardian of the legacy of Jazz. Champian’s heroes include Bud Powell, Red Garland, Erroll Garner, Count Basie, Sarah Vaughan, and Dinah Washington.
Jazz education is a concern near and dear to Champian’s heart, having been inspired by Clark Terry’s tireless advocacy for the perpetuation of the craft. Clark coached her on rehearsal techniques, performance etiquette, private teaching, and the business of the Jazz. Champian strives to impart this unique knowledge to students around the world, while being involved in educational programs such as Litchfield Jazz Camp and Rutgers Jazz Institute. Her skills as an educator in Jazz come from the highest authorities as she works to perpetuate the Jazz language.
Champian is ambitious about recording her music. As a leader she has twelve recordings to her credit. Her debut album, “Champian with David Berger & the Sultans of Swing” was recorded following a two-year residency at the famed New York Jazz Club Birdland. Her releases “Sometimes I’m Happy” and “the breeze and I” featured her working trio. Champian’s following two releases, “Champian Sings and Swings” and “Change Partners” were both recognized as being “in the top 10 releases of the year” for their respective years by the NY Observer. Champian’s album, “After Dark” with Jazz luminaries David Williams on bass, Lewis Nash on drums, and Stephen Fulton on flugelhorn, features the music of Dinah Washington. In 2017, she published no less than three albums: a strictly instrumental album (“Speechless”) a wonderful recording with Scott Hamilton (“The Things We Did Last Summer” – Blau Records) and “Christmas with Champian”. Champian’s 2018 release, “The Stylings of Champian” is a two disc set that was named one of the Top 5 Jazz Vocal releases of the year by the NYC Jazz Record, alongside Cecile McLorin Salvant and Kat Edmonson. In 2019 “Dream a Little” was released featuring a live duo concert by Champian and Cory Weeds. In 2020 Champian expects to release “Bird Song”, a celebration for Charlie Parker’s Centennial, featuring Scott Hamilton on tenor.
Recognized as a Rising Jazz Star by the Downbeat Magazine Critic’s Poll, Champian was also named Pianist and Vocalist of 2019 by Hot House Magazines Readers Poll. Her “galvanizing presence” (the New Yorker) and her alluring musical presentation have made her “a charming young steward of the mainstream Jazz tradition.” (The New York Times)