Lauren Dillen is a Toronto-based multi-disciplinary artist who moves deftly between mediums to uncover meaning in the quiet, complicated corners of being alive. Also known for her work as a tattoo artist and as a member of psych-folk band Burs, her creative life is guided by an instinct to follow feeling first and let understanding arrive later.

At the center of her solo music is a simple idea: songs are teachers. Dillen often writes before she fully has language for what she is experiencing, allowing melody and imagery to hold emotions that have not yet settled into clarity. With time, the lesson reveals itself. Each song becomes both a record of that process and a place to return to it. In performance, she revisits these pieces as a way of practicing the feelings they contain, moving through memory, tenderness, and discomfort with a gentle steadiness that invites listeners to do the same. 

Her songs carry a hidden emotional weight beneath deceptively simple arrangements. While echoes of artists like Big Thief, Laura Marling, and Haley Heynderickx ripple through her work, her voice remains entirely her own. Dillen has opened for artists including Bahamas and frequently collaborates with musicians such as Georgia Harmer, Fontine, and Sister Ray, contributing to a close-knit Canadian indie-folk community.

In her recent solo work, Dillen sharpens the instincts that have always distinguished her songwriting. On “every‑woman sore,” cut in her home studio with Ray Goudy, she charts the quiet but profound mechanics of kinship, and how women lean in, step back, and learn to carry one another over the long haul. By contrast, “One More Time for the Road,” recorded live off the floor at Calgary’s National Music Centre, is built around a single, unguarded take, its lines threaded with the ache of memory and the stubborn loop of longing. Through it all, Dillen’s voice unfurls like tangled vines, reaching toward the light.