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Monday November 04, 2019
8:00 pm   |  Doors Open @ 7:00 pm
$35 Advanced    $40 Doors   

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Hawksley Workman - Monday

hawksleyworkman.com

A staple of the Canadian arts scene for almost 20 years, Workman boasts a catalogue of 15 solo releases showcasing his now signature spectrum of sonic influence, from cabaret to electro-pop to anthemic rock and plenty in between. The accolades amassed include JUNO nods and wins and widespread critical acclaim. As a producer, his fingerprints grace releases by JUNO and Polaris Prize nominees and winners like Tegan and Sara, Sarah Slean, Serena Ryder, HeyRosetta!, and Great Big Sea. He’s also penned melodies with a myriad of artists, from Oscar award winning Marion Cotillard (La Vie en Rose, Inception) to French rock icon Johnny Hallyday. Hawksley’s touring career has seen him play nearly a thousand shows worldwide. He’s headlined prestigious venues like Massey Hall in Toronto and The Olympia in Paris, and opened for heroes Morrissey, David Bowie, and The Cure.

A slight departure from past musical feats, Workman released a children’s illustrated book titled Almost a Full Moon, a warm-hearted tale of family, community, food and home. A story of a boy and his grandmother on a cold winter’s night, his words are beautifully complemented with the rich illustrations of Jensine Eckwall, who helps brings beauty and a hint of magic to Workman’s evocative lyrics. Together, they create a world and a night that will enchant readers of all ages. Almost a Full Moon was published September 2016 by Penguin Random House.

More recently, Hawksley wrote and recorded his latest LP following a move to Montreal from the Muskoka wilderness. Produced byThe Dears creative genius, Murray A. Lightburn, the record showcases Hawksley’s hooky yet innovative melodic approach, authentic songwriting, and good old-fashioned, unedited musicianship. The first single, “Battlefords” was released on October 26, 2018, Says Hawksley about the new song, “it is a piece of Canadian nostalgia, celebrating life in rural Canada in the 1980s, and the emotion and innocence that was specific to a quasi-technological time in the late 20th century.”

Hawksley Workman is many things to many people in many places, but primarily, he’s a student of the human psyche; an artist in the purest sense of the word, constantly finding fresh and interesting ways to frame and share the world – the people we are and the things we encounter. It’s a virtually bottomless well of ideas for a man with virtually endless imagination and creative outlets.

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