Old Man Luedeckeoldmanluedecke.ca
Easy Money picks up where Old Man Luedecke’s award winning, and most successful release to date, Domestic Eccentric (2015), leaves off; four years farther down the road, dreaming about his ship coming in, still a parent but now grappling with the newness of middle age, dad jokes, love for an abiding partner, the death of a parent, along with some calypso-feeling local Nova Scotia history thrown in for good measure.
The title track, “Easy Money”, was written and recorded in the recording studio at a songwriter’s retreat at the Banff Centre. With largely improvised lyrics and based on a traditional Harry Belafonte Christmas calypso, the recording preserves the original moment of composition. “It is, on record, the very moment the idea of the new album came to be, the first song in a batch of new tunes captured at its very birth,” says Luedecke. “The song sings about the pleasures of family, complains about travel and extols the virtues of good neighbourliness and guaranteed basic income all in less than three minutes of truthful glee.”
The accompanying video for “Easy Money” was filmed around LA. Though the album is filled with local Nova Scotia content — palms seemed fitting for a guy dreaming about ‘Easy Money’ and you see our glamorous banjo bard in Beverly Hills, Malibu, and other identifiable locations lip synching his way to the top.
Composition and recording were both begun at the Banff Centre’s songwriter-in-residence program. It was there that Luedecke met the album’s producer Howard Bilerman of Montreal’s famed Hotel2Tango studio where the album was eventually recorded. The ten new original compositions and two covers run a modern storytelling line from the fifties folk and calypso boom into the everyday of tangible middle life. Guest appearances by long-time collaborator and Grammy award-winning Tim O’Brien, Afie Jurvanen of Bahamas, and Fats Kaplin (Jack White, John Prine) add piquant accents to the impeccable playing of Luedecke and a crack Montreal studio band of Mike O’Brien, Joshua Toal, and Jamie Thompson.
Easy Money begins with three upbeat incantations of what is surely the beginnings of a mid-life crisis (“Dad Jokes”? “Wakeup Call”, come on!) then moves to 2 songs musing about death; both inspired in part and in different ways, by the passing of Luedecke’s father, the passing of Leonard Cohen, and current politics and the death of truth. There are two island-themed numbers that imagine a laid-back life in the local un-tropical paradise of the Canadian Maritimes. Then comes a country song with killer fiddling and harmony singing by Tim O’Brien, a dance number of frightful worry, and then a cover of Nana Mouskouri’s French language cover of Bob Dylan’s topical apocalyptic plaint, “Hard Rain’s Gonna Fall”. This is followed by a traditional sea shanty about a mermaid and a shipwreck. The album closer, “‘I Skipped a Stone”, is the most beautiful song about hoping your wife will pick up the phone. The song is made all the sweeter by the special appearance of Bahamas’ playing and singing, to close out Luedecke’s sixth full length studio album.
Old Man Luedecke is the recording and performing name of Christopher Luedecke, 2 time JUNO and multi East Coast Music award-winner, and Polaris Music Prize nominee from Chester, Nova Scotia. Since 2004 he has travelled the world playing festivals, theatres and clubs. He delights his audiences with his heart-felt command of the stage. Plus, his inspired banjo playing and wry storytelling cut to the heart of normal/extraordinary experience itself.
Born and raised in Toronto, Luedecke followed Thoreauvian and romantic notions to Canada’s Yukon where he fell in love and started composing folk songs with a banjo. Since 2005, he has lived rurally on the south shore of Nova Scotia in Canada’s music-rich Maritime provinces. He has had major appearances at Canadian, Australian and UK festivals and has performed with the likes of Feist, Bahamas, Tim O’Brien, and Rose Cousins. He has built a name and a following that has been uncompromisingly unique and is now firmly established in the top echelon of Canadian folk artists. As the Vancouver Folk Festival says, “He is a musical singularity to be savoured and shared.”
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