Live at Aeolian Hall

Steven PageJump to Info for

With Special Guests

Port Cities Jump to Info for Port Cities

Friday May 17, 2019
8:00 pm   |  Doors Open @ 7:00 pm
$44 Advanced    $49 Doors       

Hot on the heels of his induction in to the Canadian Music Hall of Fame alongside his ex-bandmates in Barenaked Ladies, singer-songwriter Steven Page has announced the forthcoming release of the most forceful musical statement of his solo music career.  Discipline: Heal Thyself, Pt. II, will be released on Friday, September 14, 2018 via Fresh Baked Goods / Warner Music Canada.

**A digital download of Steven Page’s new album, Discipline: Heal Thyself, Part 2, is included with every ticket for this show. You will receive an email with more details about this offer approximately 7 days after your purchase.

Ahead of the album’s release, Steven launched the vitriolic first single, “White Noise,” a naked look at the current political discourse south of the 49th parallel. (see “White Noise” lyrics below).  Listen to “White Noise” HERE.

“I grew up in a household where social justice was a fundamental value, and I always believed that it was a fundamental Canadian value as well as a central Jewish one,” says Page.  “I’ve watched how the term has been twisted and perverted by the Right over the last several years in an effort to diminish the voices of reason.

Although I grew up politically aware, in a left-leaning household (which, in Canada, was not regarded as anything sinister until the mid-90s and beyond), it wasn’t until I discovered the politically-charged music coming from the UK in the 1970s (the Clash, The Jam) and 1980s during the Miner’s Strike and the Red Wedge movement (Billy Bragg, Style Council, Communards, etc) that I became excited by the power of music and activism.  This song pays tribute to that music, and was written in the wake of last year’s events in Charlottesville.  The open displays of racism and antisemitism, and the chants of “Jews Will Not Replace Us” made me grab my guitar and tell them I’d be more than glad to replace them.”

Watch “White Noise” lyric video HERE

Recorded at Fresh baked Woods Studios just outside of Toronto and Vancouver’s Doghouse of Thunder Studio with longtime live bands Odds and The Original Six, and frequent collaborator Craig Northey, Discipline is Page’s fifth solo album and the spiritual follow-up to 2016’s Heal Thyself Pt. I: Instinct.  Musically, the album tips its hat to many of Page’s influences including the aforementioned punk rock movement and David Byrne as well as a nod to the Bee Gees and the Zombies.

For more details visit www.stevenpage.com

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Special Guest

Port Cities

www.portcities.ca

In the brief period of time since Port Cities unleashed their incendiary debut—a wildly self-assured collection of sparkling, rootsy pop that showcases the Nova Scotia trio’s devotion to songwriting—the band’s been hard at work bringing it to the masses. They’ve continued to explore and evolve their ambitious pop sound, melding diverse musical backgrounds to create an alchemy that’s part art, part songwriting science, and all magic: the nimble dynamism of Breagh MacKinnon’s smoky, jazz-indebted delivery, Dylan Guthro’s simmering and soulful R&B swagger, and Carleton Stone’s razor-sharp, romantic rock ‘n’ roll. In 2018, that memory-making mix of unforgettable melodies, high-flying harmonies, and electrifying heart on Port Cities is set to reach audiences worldwide.

It’s a chemistry that’s been perfected during the 100+ dates they’ve toured in the past year, in hotel rooms and songwriter circles, in vans rolling through foreign countries to rowdy pubs, and on the fog-bound shores of Canada’s misty east coast. It’s helped lead the band to numerous accolades, including a whopping five Nova Scotia Music Awards, a SOCAN #1 Award (for “Back to the Bottom”), and stints at #1 on CBC and Spotify charts. Port Cities has amassed over 1.5 million streams internationally, showcased at The Great Escape, Focus Wales, and the Reeperbahn Festival, and will be releasing their debut in the U.K. and Germany this year.

Beyond Port Cities’ deep devotion to their craft, their success is largely built on a simple but timeless approach: a good song is a good song is a good song. Whether it’s awash with synthesizer (“Sound of Your Voice”), pumped up with an overdriven crunch (“Where Have You Been”), or stripped down to the bare essentials with just an acoustic guitar and three voices. No matter what music the melody might call for, the best song always wins.

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