True power inspires awe, and Irish Mythen packs a lot of it – lyrical, musical, and personal – into a relatively small frame.
Mythen is a globetrotting troubadour – an Irish-born, contemporary Canadian folk artist who’s been amassing accolades and achievements across several continents over the years. Her presence and charisma simply command attention, and regardless of where she takes the stage, she delivers a sonic and emotional experience that transcends language and location; that reaches the very core of what connects us. It’s an experience that, in recent years, has earned her spots performing alongside Rod Stewart, Gordon Lightfoot, and Lucinda Williams and billings on major festival stages the world over.
Following a pair of earlier EPs, Irish cemented her spot as a performing powerhouse with her first two full-length offerings – 2008’s Sweet Necessity and 2011’s Open Here; however, it’s since moving to Prince Edward Island and releasing her latest collection – a self-titled, statement-making third LP in 2014 – that she’s propelled herself to an impressive new plateau.
The ECMA 2015 Roots Album of the Year perfectly couples the two poles of her sonic sphere: a universally engaging and accessible brand on contemporary folk with a tinge of more traditional Celtic influence that stems from her proud heritage. The result is a sound that’s truly timeless and transcending, anchored by her dominant and dynamic vocal prowess.
Irish draws her inspiration from all over. “It’s the people I’ve met, the colour and shape of the land, the fact that you spend much of this life alone on the road…” she shares. “All these things have crept into my songs.”
The whirlwind of opportunities she’s enjoyed since her last release – from new places visited to some high-profile creative collaborations – has certainly informed her recent output. “I think it’s translated into a more mature form of writing,” the artist muses – “much more about the sound and mood of the album. I’ll always be a wordsmith,” the accomplished lyricist adds, “but the other facets of my art have grown.”
Perhaps most significant of those other facets is her live show – an impactful and impressive tour-de-force that finds Irish combining her contemporary and catchy anthems with traditional tunes borrowed from her homeland. All are woven together with a signature blend of edgy humour and heartfelt storytelling while her presence and performance magnetically draw eyes and ears towards the small-statured powerhouse on stage.
“I want them to feel like it was not just about the music, but an overall experience,” Irish says about what she hopes to deliver to her audience. “I love feeding off of crowd and interacting with them. That’s why I rarely have set lists; I like to see and feel the audience and give them what they want.”
She must be doing just that, as Irish has established herself as a staple at events like the Mariposa Folk Festival and Folk Alliance International Conference, and others continue to call. In just the last 12 months, Irish has closed out the Philadelphia Folk Festival, performing after the iconic Lyle Lovett, and had tens of thousands in her hands at Australia’s Woodford Folk Festival. On the back of the latter performance, she was even handpicked to open for Melissa Etheridge’s 2016 Australian run.
A reinvigorated drive and longstanding passion for performance will only push Irish Mythen further into the international eye, enticing listeners of all kinds to take heed. Once they do, they’re sure to be captivated and converted, joining the cavalcade and following this wandering talent wherever she may go next.
Fraser Teeple has worked as a tree climber for over a decade, while slowly building a catalogue of musical work that stands as an underground gem in the Canadian music scene. His economy and sensitivity as a songwriter evoke a young northern Springsteen, with a textured voice that can cut through an east end dive bar or soulfully creak out a heart-breaker to a still concert hall.
The songs on Teeple’s third album, “Hired Saw,” carry the cuts, the dirt, the smell of gasoline and woodchips, and the character of the folks he has worked with. Produced in Old East Village, London, Ontario by Mark Vogelsang, the work was recorded live in the studio with one mic and shows an artist delivering his material raw, without accompaniment to lean on.
Fraser approaches his songwriting craft like a tradesman: he respects the strong tradition he stands within, and works carefully and with dedication to master the simple skills of telling a story, creating an image, or crafting a melody. He has apprenticed in bars, coffee shops, and concert halls across Canada and Europe — and has become a soundtrack for driving down a dirt road, renovating a house, and burning driftwood on a northern beach.